Cubans love and pride in their national cinema is known. And that in their continuing isolation especially national film productions can also be seen; in the past known gems such as “Memorias del Subdesarrollo” and “Fresa y chocolate” (Tomás Gutiérrez Alea), “Viva Cuba” (Juan Carlos Cremata) and “Guantanamera” (Juan Carlos Tabio). During and after the Revolution, the film industry was fully supported and filmmakers had relative freedom in their expressions. Therefore there could be in the films made from the sixties in Cuba are a fairly balanced picture of the country emerged, with room for criticism or at least take it on the heel of the revolutionary government. But where directors like Gutiérrez Alea and Tabio known for their humorous portrayal of the Cuban social reality, full of unexpected and absurd plot twists, black-comic dialogues and cheerful soundtracks, there is in contemporary Cuban cinema for this jollity very little space. The (young) Cubans battle-weary? The fun of all that bureaucratic absurdity from there? Or is Cuban society become hardened as a whole? You would after seeing the successful film “Conducta ‘say. This social drama (the second film by director Ernesto Daranas), which received very enthusiastic in Cuba immediately after publication in 2014 was a lot less pleasant than previous Cuban film hits. One man told me that what you are doing ,i said see i have hd quality movies download free .
“Conducta ‘tells the story of school teacher Carmela, which at the end of her career but still every day with heart and soul and as a mentor and sometimes surrogate grandmother helps her students inside and outside the classroom. In particular, the film focuses on student Chala, an eleven year old boy alone with his addicted mother in a loft holiday krotterige lives in Old Havana; for them the bread on the shelf must get by as caretaker of fighting dogs to earn some pocket money, meanwhile, will play childish mischief with his schoolmates, and his beautiful classmate Yeni wants to win. Except little humorous, the film is also fairly conventional in structure and plot. This tells a serious story, a story of many poor and marginalized Cubans, which until now has no happy ending.
“Conducta ‘tells the story of school teacher Carmela, which at the end of her career but still every day with heart and soul and as a mentor and sometimes surrogate grandmother helps her students inside and outside the classroom. In particular, the film focuses on student Chala, an eleven year old boy alone with his addicted mother in a loft holiday krotterige lives in Old Havana; for them the bread on the shelf must get by as caretaker of fighting dogs to earn some pocket money, meanwhile, will play childish mischief with his schoolmates, and his beautiful classmate Yeni wants to win. Except little humorous, the film is also fairly conventional in structure and plot. This tells a serious story, a story of many poor and marginalized Cubans, which until now has no happy ending.
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