This is Story of Movie En équilibre
Director Denis Dercourt has something to do with classical music. A few exceptions, his films mainly about musicians and about the influence of music on a person’s life. Think of ‘Le cachetonneurs “(1998, about the relationship between musicians themselves),’ Mes enfants ne sont pas comme les autres” (2003, a classical musician of his musical children demanding that they follow in his footsteps) and “La tourneuse the pages’ (in 2006, about a musical butcher’s daughter who wants to take revenge after years in which the judge sent her to fail her music exam). Falls into this ‘En équilibre’ excellent, though the film is too particular about willpower, making choices and horses.You can also download Goosebumps 2015 full movie.
Stuntman horse Marc Guermont (Albert Dupontel) has suffered a spinal injury in an accident on a movie set and for the rest of his life condemned to a wheelchair. Because he can not practice his profession, he is for his future depends on the insurance. On behalf of his insurance he receives Florence Kernel (Cécile de France) on the floor, to push him to accept a settlement offer of € 250,000. There is the insurer located everything to quickly close the case before the costs increase. Marc, however, is not a stupid man. He holds his ground and does not apply to the proposal. We will provide you hd quality movies download free.
Stuntman horse Marc Guermont (Albert Dupontel) has suffered a spinal injury in an accident on a movie set and for the rest of his life condemned to a wheelchair. Because he can not practice his profession, he is for his future depends on the insurance. On behalf of his insurance he receives Florence Kernel (Cécile de France) on the floor, to push him to accept a settlement offer of € 250,000. There is the insurer located everything to quickly close the case before the costs increase. Marc, however, is not a stupid man. He holds his ground and does not apply to the proposal. We will provide you hd quality movies download free.
So the insurer begins with a tactic (financial) intimidation. But Florence meantime is attracted to Marc and does not wish to participate in the practices of her boss.
Although it sounds somewhat flat, there’s more going on between Marc and Florence. The first issue is not a spark of physical attraction, but of musical interest. Florence was before she stepped into the insurance world a gifted concert pianist. But she did not feel well enough himself. If she finds a CD etudes in her first home visit, which she has played myself, she decided almost immediately to tell Marc about its history. If it is not responding understanding on her career change, as “music you can express,” is the response of Florence “But then you have to have something to say.”
As surely as Marc of his case is that he can just go riding again, so doubtful is the opposite Florence again picking up her musical career. But Marc has something in her awakened, what is ultimately still translates into physical attraction. For this, she leaves her husband and children behind temporarily, to find the confidence to Marc that she deprived home. While the emergence of the romance feels a bit forced, knows De France desperation and later doggedness to interpret wonderful. Dupontel is now a shimmering beacon of inner conviction, what the appeal makes it very believable.
It is therefore unfortunate that a few things not quite feels right. When Marc long after the short ‘adventure’ with Florence wants to buy a quad, which just happens to Florence’s husband. You did not have. What does work well is the personal story of Florence, who picks up the piano again and purposefully Marc were encouraged not to go into the settlement proposal, which she loses her job.
“And équilibre ‘is based on the true story of Bernard Sachse, a rider who was paralyzed in his legs, yet again (and successfully) has to learn to ride. However, it seems as if director Dercourt was more interested in the story of the insurance lady yet again opted for classical music. This makes the film palpable halt between two opinions. And therefore not quite good up to its promise. Despite the very strong roles Dupontel and De France.
Although it sounds somewhat flat, there’s more going on between Marc and Florence. The first issue is not a spark of physical attraction, but of musical interest. Florence was before she stepped into the insurance world a gifted concert pianist. But she did not feel well enough himself. If she finds a CD etudes in her first home visit, which she has played myself, she decided almost immediately to tell Marc about its history. If it is not responding understanding on her career change, as “music you can express,” is the response of Florence “But then you have to have something to say.”
As surely as Marc of his case is that he can just go riding again, so doubtful is the opposite Florence again picking up her musical career. But Marc has something in her awakened, what is ultimately still translates into physical attraction. For this, she leaves her husband and children behind temporarily, to find the confidence to Marc that she deprived home. While the emergence of the romance feels a bit forced, knows De France desperation and later doggedness to interpret wonderful. Dupontel is now a shimmering beacon of inner conviction, what the appeal makes it very believable.
It is therefore unfortunate that a few things not quite feels right. When Marc long after the short ‘adventure’ with Florence wants to buy a quad, which just happens to Florence’s husband. You did not have. What does work well is the personal story of Florence, who picks up the piano again and purposefully Marc were encouraged not to go into the settlement proposal, which she loses her job.
“And équilibre ‘is based on the true story of Bernard Sachse, a rider who was paralyzed in his legs, yet again (and successfully) has to learn to ride. However, it seems as if director Dercourt was more interested in the story of the insurance lady yet again opted for classical music. This makes the film palpable halt between two opinions. And therefore not quite good up to its promise. Despite the very strong roles Dupontel and De France.
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